Diljit Dosanjh kicked off his seven-city Aura Tour at New Delhi's Jawaharlal Nehru Stadium on Friday. (Images: Anand Singh)

Diljit Dosanjh's Delhi concert had rain, long queues and one hell of a show

Diljit Dosanjh's Delhi concert had all the ingredients of a grand spectacle — dazzling lights, roaring fans, and a setlist spanning his early Punjabi hits to his biggest chartbusters. It was the singer's easy rapport with the crowd, impromptu fan moments, and celebration of his Punjabi roots that gave the opening night of his Aura Tour its character.

by · India Today

An artiste's ability to make a political statement from the stage, sometimes without saying much, is as much a part of the performance as the music itself. Diljit Dosanjh has seemingly mastered that art. At his electrifying show at New Delhi's Jawaharlal Nehru Stadium on Friday, marking the beginning of his seven-city Aura Tour, the Punjabi pop star delivered a spectacle that combined music, visual extravaganza, and a connection with his audience.

There were pyrotechnics, laser displays and synchronised light bands moving to the beat, reminiscent of those seen at Coldplay concerts. There was also plenty of interaction with the audience. With songs by Nusrat Fateh Ali Khan, the "Hare Ram Hare Ram, Hare Krishna Hare Ram" track from the Hindi film Bhool Bhulaiyaa, and some of his own biggest hits, the 2-hour-and-20-minute performance offered fans a little bit of everything.

The concert was originally scheduled to begin at 4 pm. However, Diljit took to social media and asked fans to reach the venue at 6.30 pm instead. The show was eventually delayed further, beginning at around 7.40 pm, with rain and logistical issues contributing to the postponement.

Among the logistical problems were delays in delivering wristbands to fans who had booked their tickets weeks in advance. Many fans did not receive the entry band at their homes through postal service, and had to wait in queues outside the stadium, creating multiple queues, each with hundreds of people.

Meanwhile, entry bands for last-minute ticket buyers were being printed on hard plastic entry cards, leading to a logjam of concertgoers, further delaying entry.

When the show finally began, the sky remained cloudy and the stage was wet. Diljit acknowledged the weather, telling the audience that although the stage was wet, he would make the most of the evening and have as much fun as possible. As the concert drew to a close, he looked up at the sky and thanked the clouds for making the opening show of his nationwide tour a success.

Although the concert had not initially sold out, there were plenty of fans outside the stadium scrambling for tickets. At the same time, some ticket-holders were looking to sell theirs, in several cases at prices considerably lower than the original rates. Others managed to find buyers willing to pay the same price. Some of those selling their tickets told India Today Digital that their friends or family members who were supposed to accompany them could no longer make it.

The drone show at Diljit Dosanjh's opening concert of his Aura Tour at New Delhi's Jawaharlal Nehru Stadium featured his famous call, 'Panjabi Aa Gaye Oye!' (Image: Anand Singh)

The audience was also diverse, ranging from children under 10 to adult fans. Among those invited on stage was a female CRPF personnel.

Pausing the show for a minute, Diljit said, "Don't teach Punjabis how to fight battles. The film you stood on stage and mocked — Jaswant Singh Khalra Ji's film. We fought for a very long time for that film. I stay quiet, I love everyone. If someone hates us, no problem, from our side it's only love for everyone!"

Unlike the tightly choreographed performances of many international artistes, where every song and transition is planned to ensure the show ends on schedule, Diljit made room for spontaneous interactions. He stopped to accept gifts from fans, pose for photographs, get them to sing along and even hand out return gifts. His team had boxes ready for those invited on stage.

Towards the end of the concert, the drone show also featured the words 'I'm an artist, bro', echoing Diljit Dosanjh's message that he harbours no hatred towards anyone. (Image: Anand Singh)

Speaking to India Today Digital, Rohan Kukreja, who had driven down from Chandigarh with his family of 10, said they had come for the opening show and would also attend the final concert in Chandigarh. "We are here for his first show, and we will also go for his final show in Chandigarh," Kukreja said.

The Kukreja family had watched Diljit perform in Ludhiana on December 31, 2024, during his Dil-Luminati Tour, but that had done little to diminish his excitement about seeing the singer again.

"He is one of the biggest popstars who has taken Punjabi identity to a global stage, and seeing him evolve is something else. I have followed him for a long time, since his early days," Rohan Kukreja said.

Throughout the concert, Diljit repeatedly acknowledged his "old fans", who had followed his work since the early 2000s, often introducing lesser-known tracks by reminding the audience that newer listeners might not be familiar with them. "These songs are for my old fans, the new ones might not know this," he said before launching into one such number.

His older songs, too, drew an enthusiastic response, with fans cheering just as loudly as they did for his more recent hits. The response underlined that his older music continues to have a dedicated following even as his popularity has expanded over the years.

The Gold ticket pit, which cost Rs 9,000 or more per person, initially appeared to have fewer people than expected, but gradually filled up as the evening progressed. Many concertgoers were seemingly held up by traffic congestion and the logistical problems at the venue. At Gate 14 of the JLN Stadium, the delays even led to arguments between fans and organisers, with people growing impatient as they waited to enter.

Such scenes have become familiar at large concerts in India, where the experience outside the venue can often be markedly different from the spectacle promised on stage. But once the fans made their way inside, much of the frustration appeared to give way to the excitement of the performance. The lights, music and energy of the crowd soon took over, particularly when Diljit greeted the audience with his familiar call, "Panjabi Aa Gaye Oye!"

- Ends