Venice Review: Werner Herzog’s Bucking Fastard Is a Strange, Earnestly Heartfelt Oddity
Past a certain age and a certain number of features, a director will almost inevitably be embroiled in that stifling debate: have they reached their “late” style yet? What that means exactly can be tricky to articulate: writing about Beethoven, Theodor Adorno viewed late works of art as “devoid of sweetness, bitter and spiny”—masterful distillations
3 Sep 15:00 · The Film Stage