Wolf Man Review: Leigh Whannell’s Effective Reboot Scares Up Hereditary Horrors
“In early 1995, a hiker went missing in the remote mountains of central Oregon,” reads the prologue over a gorgeous opening shot: a still, wide frame looking down at a farm surrounded by dense forest and looming mountains, dark clouds hanging overhead. The mythology of the film appears in four different text sections over the
‘Wolf Man’ Review – Leigh Whannell Dismantles Werewolf Lore with Ambitious Body Horror
Writer/Director Leigh Whannell’s Wolf Man, like 2020’s The Invisible Man, bears little resemblance to the Universal Monsters movie upon which it’s loosely based. Though it similarly centers on a man who returns to his ancestral home only to find himself grappling with a bizarre affliction after an equally strange animal attack, an inciting scene set […]
Review: ‘Wolf Man’ Reimagines And Reinvigorates The Classic Horror Movie Monster
Leigh Whannell’s Wolf Man claws at the traditional horror tropes, but dig deeper and there’s something more lurking beneath the surface.
‘Wolf Man’ Review: Universal’s Latest Monster Reboot Is a Dark and Toothless January Mess
Leigh Whannell did a brilliant job of modernizing "The Invisible Man," but werewolves prove much harder to tame.
Movie Review: 'Wolf Man' is a toothless reboot that'll make you bark at the moon
Blake Lovell thinks taking his wife and young daughter to rural Oregon to pack up his dead father's belongings is a good idea. It's a break from their urban life, might help repair his fraying marriage and reconnect them all with nature. “It would be good for us,” he argues.It will not, of course, because this is a Blumhouse movie called “Wolf Man.” It will not be good for Blake and it will not be good for the audience. That's because this film is a terrible misfire using a classic movie monster poorly rebooted by the modern home of horror.Slack when it should be terrifying, “Wolf Man” suffers from cheap sentimentality, laughably obvious script reveals, poor continuity and a creature that is less predatory than painful. Pity comes to mind. Christopher Abbott stars as Blake, a father and husband whose own estranged dad was a tad unstable, constantly drilling in his son a survivalist ethic. “It's not hard to die. It's the easiest thing in the world,” his dad says. He being officially declared dead 30 years after…
Wolf Man Review: I Can See Everything The Universal Monster Reboot Wants To Do, But It Just Doesn’t Work
Despite what you may expect, it's not really a werewolf movie.
Wolf Man Review: Leigh Whannell's Half-Effective Fright Fest Will Leave You Feeling Torn In Two
Leigh Whannell's Wolf Man is unsettling and unnerving with scary moments of body horror, but certain weak elements hold the movie back. Here's our review.
‘Wolf Man’ Review: Blumhouse’s Emo Monster Mash Is a Far Cry From Its Brilliant ‘Invisible Man’ Model
Despite Christopher Abbott’s commitment, director Leigh Whannell's 'Wolf Man' update proves too slow and serious to satisfy horror fans.
last updated on 15 Jan 20:52